A PR partnership between a pop superstar and a pro-athlete bad boy turns into so much more in this swoony romance from the acclaimed author of When I Think of You.
About the Book
Ella Simone’s popstar life is what dreams are made of. Her eight year marriage to renowned music producer, Elliot Majors, has helped garner the hits, awards, and adoring fans to prove it. But when Ella tires of Elliot’s many infidelities, she decides to fight for her independence despite the ironclad prenup that threatens her career.
To help her case, Ella is under strict orders to stick to The Plan: no headlines, no rumors, no rocking the boat. But this strategy is thrown a curveball after an awards show wardrobe snafu and quick rescue by Miles Westbrook, MLB’s most eligible player, sends the tabloids into a frenzy. Amid tricky divorce proceedings, Ella’s magnetic connection with the charismatic pitcher might just be her downfall.
Now the pressure is on to turn a scandal into an opportunity and give their teams what they want: a picture-perfect performance that will shore up both Ella and Miles’ reputations. But as the lines between reality and PR begin to blur, Ella will either stick to the choreographed life she knows so well, or surrender to a love that could set her free.
Excerpt
I don't necessarily want to be a "strong" person-I just keep going.
Tina TurnerI shouldn't have worn the wig. It was bad enough Sheryl wasn't available to help me install it properly. Now it's sitting about an eighth of an inch too high on my hairline and digging into the base of my neck. But since it's my signature look-long, dark chocolate, with a body wave-I'm pretty sure that blue-pinstripe-suit-wearing dude positioned at my four o'clock near the turnstile just spotted me.
And, yep, now he's got his cell phone camera trained in my direction primed to snap a photo. I cock my head to the side and marvel at the boldness. Most people have the decency to at least pretend they're on FaceTime or using a selfie cam to check for a seed in their teeth. That he should be ashamed to openly invade my privacy is a notion entirely lost on this man, and I have to say . . . I'm impressed by the audacity.
Grunting, I angle my body slightly to reposition my purse strap on my shoulder while willing the elevator to put some pep in its descent from the thirtieth floor. Thankfully, this corporate lawyer type turned amateur paparazzo is waiting near the elevators for the odd floors, which means soon, I'll be free of him.
I could kick myself, though. Because more than likely, by tonight his photos will have graced The Shade Room under a headline that reads something like Ella Simone: Spotted! at Divorce Attorney's Office! and my publicist, Lydia, will suffer a cardiac event. In her defense, my coming here alone was ill-advised. If she'd gotten her way, I'd have sent my manager, Angelo, who would have patched me in over Zoom. But if she'd truly gotten her way, there would be no reason for this visit at all. Because I'd be doing the "wise thing" for my career and staying attached to Elliot Majors.
But these days, I'm impervious to wise counsel. Ironic, given the reasons I've shown up here today.
"Excuse me, miss? I'm sorry but I'm such a huge fan." The words tumble down at me from about half a foot up and behind my left shoulder.
It looks like Blue Pinstripe Suit has gathered up the courage, or decency rather, to approach the subject of his impromptu photo essay. Behind my shades, I roll my eyes. Damn this slow-ass elevator! Suit Man probably just wants to confirm that I'm me before he shoots those grainy snaps off to the highest bidder. I turn and plaster on the trained smile I've adopted-it says I'm a nice person who's got both hot sauce and Mace in her bag.
Reluctantly, I extend my hand to shake his. "Hi, how are you?" I say politely, if a little restrained-a tactic meant to signal that this interaction will be brief.
He encases my hand with his damp palm, aggressively shaking it in return. "Wow. I can't believe it's you!" he exclaims, with beads of sweat dotting his brow. "Would you . . . would you mind?"
Assuming he's about to ask me to sign something, I reach in my purse for a pen. But before I can object, he's angled himself next to me and raised his phone with the camera flipped to selfie mode. At the last second, I noticed it's toggled to record. Imaginary sirens blare in my ears.
I open my mouth to protest, but he steamrolls ahead. "Can you sing a little bit of that one song . . . what was it?" he muses. My face pricks with heat from mortification and then . . . he proceeds to perform a boisterous and breathtakingly pitchy rendition of "Bitch Better Have My Money."
He bobs and weaves, making little swiping motions with his hands and these . . . dance moves? are so aggressively unpredictable I have to take a step back to avoid being headbutted or sideswiped when he shouts the lyric "I call the shots, shots, shots! Like bra, bra, bra!"
I am simultaneously frozen, in shock, and utterly awed by what I am witnessing. Then I deflate. Not out of disappointment that I've apparently been mistaken for Rihanna, or that in this post-"listening and learning" and "doing better" America we find ourselves in, some people still fail at individuating Black folks with markedly distinct physical characteristics. But all that previous pent-up fear and anxiety whooshes out of me like a popped balloon. He hasn't the faintest idea of who I am. That means my secret's safe. For now, at least.
The performance, which lasted for probably fifteen seconds but felt like an hour, is over now, and he's gesturing toward me like it's my turn to do a little ditty for him. The nerve. I may be an entertainer, but I'm not here, at this moment, for his entertainment. And before he can tap the record button with his thumb, I reach up and block his camera lens with my hand.
"This has been fun and all but actually, I'd prefer it if you didn't," I say. Then I crane my neck and train a panicked Help! glance at the well-dressed security guard who's been dutifully manning the turnstile.
Almost instantly, he clocks my distress and glides over to assist. "Excuse me, sir. But there's no filming allowed in the lobby."
Ding!
Like an answered prayer, the elevator opens depositing a handful of overly starched individuals with stern expressions on their faces. I step aside to let them exit, just as the security guard, whose name is Jamal according to his badge, gently nudges Rihanna's biggest fan farther away from me.
And before I step onto the waiting elevator, Jamal leans over and whispers in my ear. "Don't worry, Miss Simone. Promise I won't tell." He winks and I smile just as the doors close.
Her body language is like tea leaves.
As if on cue, with the flip of each page, she raises an impeccably laminated eyebrow and releases a tiny, strangled sound of distaste between her porcelain veneers.
It's hotter than I expected here on the thirty-seventh floor of 1901 Avenue of the Stars. But Janet Waterman is in her element, like they've programmed the thermostat with her DNA as the baseline. I'm seated in the main conference room of Waterman, Schuster & Milner trying not to sweat while the Ice Queen herself, as coined by the Daily Mail, appraises my fate. And by the looks of it, I'm fucked.
I've always wondered if that moniker had more to do with the chilly vibe she projects when strutting down Hill Street in red bottoms with cameras flashing and paps demanding statements on her high-profile clients, or with her reputation for protecting said clients' icy assets from being pillaged in the process of their acrimonious decouplings-now I'm thinking it's an even split.
I chart Janet Waterman's eyes as they descend past each cursed clause of the prenuptial agreement I entered into when I was just twenty years old. And even though hindsight has proven I was too young and too ignorant to comprehend the gravity of what I was signing away, perhaps more pathetic is the part where I was too in love and too drunk on the promise of a life with the Elliot Majors to care.
Finished reading now, she slides the crisp printout across the frosted glass conference table toward her paralegal and crosses two perfectly manicured hands. I notice a rose gold Patek Philippe encircling her left wrist, and I have to stifle a groan. Ten years ago, I'd have fainted in the mere presence of a forty-thousand-dollar watch. Now, I've got one to match sitting in a box somewhere in a penthouse I don't plan to return to.
Ironically, it was a gift from Elliot on our eighth wedding anniversary, which, with Janet's help, will have been our last.
"I'm sure you've anticipated what I'm about to say?" she asks, her voice clear and resonant as a bell. The kind of voice that cuts through the chatter of a crowded room. It sets me at ease in a way that's quite rare. Perhaps it comes with the territory of being a professional vocalist that I find myself instinctively appraising the timbre and tone of each new voice I encounter.
I shake my head, realizing my delay, and rush to answer her. "You're going to tell me I'm fucked?" I reply, startled by the thready, hollow sounds coming from my own throat.
"Ten minutes ago"-she shrugs-"before you walked in that door. I'd have said you were fucked." She leans back in her chair, using her forefingers to swipe narrow columns of pin-straight black hair behind each ear. "It's a shit situation . . . one of the most predatory I've seen. As it stands, you walk away from the marriage, you walk away from the music."
Instantly, a million tiny needles pierce through my flesh. She's done nothing but confirm what I already assumed. But somehow, quite foolishly, I thought retaining Janet might mean I'd secured some sort of fast pass toward a pain-free divorce. Never mind the fact that already, she had to petition a judge to compel Elliot's lawyers to provide me with the prenup documents since, after signing them ages ago, he never gave me a copy for my own records.
"But you knew this," she says. "When you decided to leave him. You knew what you could be leaving behind." Janet eyes me shrewdly. This look is far from the lusty, assessing way I'm used to enduring in boardrooms, not unlike this one, when I'm sitting across from suits that are more often than not filled out by much older, male-er forms. She's not even in a suit. She's wearing a sleeveless Alaïa shift that boasts a high neckline with tasteful cutouts-if there can be such a thing.
I nod, swallowing past a knot lodged in my throat. I've never felt more foolish than the day I fully reckoned with the rock-hard truth that marrying Elliot Majors might have possibly been the biggest mistake of my life. Now, I can only hope the Ice Queen might possess some alternative kind of magic. Because that's likely what it's going to take if I want to escape this marriage with my career intact-if I want to see a dime of revenue from the records Elliot produced on me, the songs that won us both Grammys and me millions of adoring fans.
Janet must sense my rising panic. "It's okay," she says. "When we say yes to marriage, divorce is the last thing on our minds. Especially at twenty."
Especially when the man you're saying yes to is the first man in your life whose love doesn't hurt . . . until it did.
"So, what are my options," I ask, squaring my shoulders and sniffling back the stinging threat of tears.
"Well, I like to start off by asking my clients to pick a 'D.' The answer will undoubtedly determine how we proceed," she says, smirking. "So, what's more important to you, handling the dissolution as quickly as possible? Or, are you more concerned about the distribution of your assets?" she asks. "Because if it's option A, we can wrap this up in California's standard six months. No fanfare or hand-wringing. We go by what you've already established to the letter. But as outlined in the prenup, everything reverts to Elliot."
At this, I flinch. But if she notices, she doesn't let on and continues. "It means you'd be free . . . in a sense. You'd retain your split on future earnings on all performances of the music produced by him. But he'd retain one hundred percent ownership of the masters. You'd be severing all ties and voiding your recording contract since you came in as his talent. In effect, you'd be starting fresh as an artist."
"That's not freedom," I say. "It's robbery."
"Okay." Now she leans forward, placing her elbows on the conference table and clasping her hands. "So let me ask you, then. What does freedom look like to you?"
I breathe in deeply and let it out slow and steady-summoning my vocal bravado. "Freedom looks like me walking away . . . with everything I have worked for."
"I was hoping you'd say that." She sits back and smiles. "Distribution it is."
And for the first time since I stepped off the elevator, I smile too. "So, what's that going to take?"
2
You mean to tell me that long-necked, narrow-assed peacock gets to flounce around Europe with Miss Thing, meanwhile you have to sit back like Susie Homemaker just so you don't end up strung out on the streets?"
"Tuh! It's the gall for me."
"Honey, it's the gall. The gumption. The unmitigated audacity. Tell me where I can find some. 'Cause clearly I missed the flash sale."
"All right, all right. How about a round of the quiet game?" I not so calmly suggest before my irritation bubbles over. We are a third of the way into my three-hour glam routine, and for all intents and purposes, I am trapped in what I've come to call The Chair.
Typically, this is my sacred, safe space-the place where I center myself before a live performance or a major appearance. Where I get to savor the final moments of being just me, Elladee Robinson, before I'm transformed into the well-crafted popstar persona of Ella Simone.
But at some point, we all lost the plot. It probably happened around the time the Waiting to Exhale soundtrack found its way onto my Bluetooth speaker, which shifted the mood in my Sunset Tower suite accordingly. Now, Mary J. Blige is belting about how she's "not gon' cry," and my glam team is spiraling over my impending divorce from the most prolific hitmaker of the last twenty years.
At my passive-aggressive request for silence, three stares pin me in place as if to say, Check us like that again, and we'll have you up on that Grammy stage looking a hot mess.
But then Rodney, my stylist and oldest friend, pauses from dutifully steaming the chiffon skirt of my evening gown. His eyes soften as they meet mine in the vanity, and he makes a sharp intake of breath, as if suddenly noticing the fine cracks in my otherwise buffed and primed exterior.
"Oh no! We've gone too far." His words are breathless and tinged with remorse, just above a whisper. Rodney's full lips droop into a pout as he turns to his cohorts. "Ladies," he snaps. "Maybe let's take it down a notch?"
"Miss me with the soft shit, Rodney!" Sheryl chirps as she swivels around to glare at him. Miraculously, she doesn't miss a beat as she deftly loops a long lock of my hair around her curl wand. "The one who needs to 'take it down a notch' is that triflin' ex of hers."
Excerpted from No Ordinary Love by Myah Ariel. Copyright © 2025 by Myah Ariel. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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About the Author
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Berkley Romance (TR) 2024 |
Myah Ariel is the author of debut contemporary romance WHEN I THINK OF YOU (Berkley ’24). Her early love of movies led her from Arkansas to New York City where she earned a BA in cinema studies from NYU’s Tisch School of the Arts. She also holds an MA in specialized journalism for the arts from USC Annenberg. For several years Myah worked across multiple roles in the film and entertainment industry before pivoting to work in academia. As a medical mom and a hopeless romantic, Myah is passionate about inclusive love stories.
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